As I’ve stated, one of the goals for this uke build is to build on my skills and use hot hide glue. Well . . . I have sinned before you, my friends! Yes, I have strayed from my path, but for two very good reasons. The first transgression was using CA glue for the mother of pearl logo inlay. Its a non-structural part of the uke, CA is instant, it sticks to MOP better, and, well, its just the better choice.  (In the pic, its been rough sanded at the drum sander, and has some preliminary layout marks. All of that will be gone by the finish sanding.)


My second sin was in making up the neck blank, I used Titebond original wood glue, an aliphatic resin glue, a current standard in guitar making. Here, we decidedly DON’T want the glue joints to ever come apart, so reversibility is not needed, or wanted. Plus, with the large surface areas of the three laminations (mahogany/maple/mahogany), a longer open time is critical. One of the reasons I’m using a laminated neck in such a small instrument is the grain direction of the mahogany I had on hand. Ideally, you want perfectly quarter sawn stock to avoid any twisting of the neck down the road. But, with a laminated neck, you can use less than perfect stock, and have the two halves of mahogany work against each other, balancing things out. (The maple center strip just adds a decorative touch.) You can see the different grain lines in the end of the neck blank.


Next up, the dovetail neck joint, another new procedure for me (YIKES!)

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